[PUBLISHED REVIEWS]

[Merlin VSM Loudspeaker]


Reprinted with permission from SoundStage!
SoundStage!
www.soundstage.com


Excerpts From
CES '98
Standout Room Report

SoundStage! writers pick their favorite rooms from CES '98
Published February 1998

Doug Schneider
This year I did far more running around than listening. Still, I managed to squeak in a number of listening sessions. The most memorable and pleasurable of these were: . . .

My second choice will become second choices -- that's because two groups of companies stood out for showing good value by offering exceptional products at reasonable prices. Group one is the folks at Clayton Audio/Osiris Audionics/DH Labs who were showing off their fancy wares through two very nice systems using Meadowlark and Merlin speakers. The Meadowlark Shearwater speaker certainly seems a steal at $2000. Groups two consists of Speaker Art along with G&D Transforms, Symphonia and TG Audio. They provided an exceptional demo of the $1595 Clef Signature loudspeaker using a G&D UCD-1 CD player wired directly into a Symphonia amplifier (yes, no preamp). The sound was rich, three-dimensional, and beautifully musical. This was a very fine music system. Based on the sonic quality of the presentations, all of these components are knockout standouts. . . .

Todd Warnke
. . . And my first choice goes to the Merlin/Joule Electra room. There are many contenders for the title of best speaker in the world, almost all of which are beyond the reach of anyone who wasn’t in on the ground floor at Microsoft. That’s one reason why I like the Merlin VSM-SEs so much. At $5950 a pair, the VSM-SEs with BAM are the cheapest speakers by far that can lay claim to being the best. Driven by the jewel-like Joule Electra electronics, the sound in Bobby Palkovic and Jud Barber’s room was ultra-detailed, superbly refined, sublimely musical—and best of all, natural. It was everything I listen for.
Marc Mickelson
With one exception, the rooms I picked as having the best sound were ones with some piece of equipment I had already heard and enjoyed at home. I'm nothing if not consistent....

The Merlin/Joule Electra room was one of the first I visited, and I thought at the time that the sound was great, but I was convinced then I'd hear other more-impressive demos—this was the CES, after all. And I did hear a lot of good sound, but the Merlin/Joule Electra room held its own—making beautiful music. Merlin VSM-SEs and BAM ($5950) were driven by the striking Joule Electra VZN-100 monoblocks ($8,895 per pair). Preamplification was supplied by a Joule Electra LA-100 Mk III linestage ($3295) and OPS-2 outboard phonostage with separate power supply ($3495). Digital and analog were used as sources—a newly upgraded Timbre TT-1 DAC and Goldmund 39 transport for the former, a VPI turntable with JWM Memorial tonearm and Cardas Heart cartridge for the latter. The cables were from Cardas. Bobby Palkovic played a Mercury Living Presence LP of The Firebird Suite, and I was glued for the entire first side. Tons of space, tremendous resolution, and impressive bass impact—this system had it all. . .

John Upton
Once again, Doug Schneider has asked us to submit a list of our three "standout" rooms at the CES. Once again, he has not chosen to define the term "standout," leaving me, a SoundStage! Show reporter, a dangerous amount of leeway to interpret this missive. If I were to interpret "standout" as meaning the finest overall sound, you'd be reading about the Merlin/Joule and Kharma/Lamm rooms at the Alexis Park and the Genesis display at Caesar's. If I interpreted "standout" as meaning exceptionally bad sound, I'd be telling you about...no, I don't suppose that would be fair. Show conditions are tough, and a bad room can make the best of systems sound simply wretched. Instead, I've decided to try something a bit different and will define a "standout" room as one featuring products offering exceptional sound at real-world prices. With these parameters in mind, I offer the following as my CES '98 standouts...
Doug Blackburn
OK, if you already read my Show report, you might remember that I was way busy shooting photos and schmoozing, so my three best rooms aren’t going to be necessarily based on sound quality. Instead, they are the rooms where I had a relaxing listening experience, learned something new, or just generally had a good time. . .

Number 2: Blue Circle Audio*. As usual, the Blue Circle room could be counted on for great sound and conversation. Gilbert Yeung, Blue Circle's president, wins the first-annual "dB's Best/Worst Sense of Humor Award." dB awards will henceforth be known as the "Belle," as in short for "decibel." Gilbert is now infamous for getting the most laughs from the worst jokes. Besides that, he let me drop 35 pounds of "load" several times to make walking the Show easier. Thanks guys! Ring your Belle, Gilbert! . . .

[*A note from Merlin: Please note that the Blue Circle/Merlin suite demonstrated the VSM-SE speaker system]

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